Michiyo Yoneno-Reyes, PhD, Associate Professor, Institute for Advanced Studies on Asia (IASA), University of Tokyo

2013

Popular Culture of East Asia: Philippine Perspectives, University of the Philippines Asian Center.

2011

Special Issue “Cultural Hybridity of the Philippines.” Asian Studies: Journal of Critical Perspectives on Asia Vol. 48.

In Press

“Highland-Lowland Dichotomy in Philippine Studies: Colonial Roots and Counter Narratives”. In Yoshiko Nagano, Nobutaka Suzuki, and Oscar Campomanes eds.

2011

“Singing of Modernity and US Shadow: Bodily Aesthetics and Ideology in Salidummay and Shoka”. In Kiichi Fujiwara and Yoshiko Nagano eds., The Philippines and Japan in America’s Shadow. National University of Singapore Press: 229-260.

2002

“Under Attack: Impact of Mass Media Technology on Indigenous Musical Practice in the Cordillera in the Philippines.” In T. Craig and R. King eds. Global Goes Local: Popular Culture in Asia. University of British Columbia Press: 40-57. (2002)

2007

“The Memory of the Sea: The Itneg Courtship Song salen dumay”. In Arnold M. Azurin et al eds. Junction Between Filipinos and Japanese: Transborder Insights and Reminiscences. Quezon City: Kultura’t Wika: 97-114.

2001

“From Individual to Ethnic Sentiment: Karaoke Practice in Global Era.” A. Malay, Jr. ed. Going Global: Asian Societies on the Cusp of Change. Quezon City: University of the Philippines: 28-52.

2016

“Unraveling Ethnicity and ‘Beyond Exoticism’: Robert Garfias’ Films on Philippine Music and Dance.” In Terada, Yoshitaka ed. An Audiovisual-Exploration of Philippine Music: The Historical Contribution of Robert Garfias. Senri Ethnological Reports 47-76. National Museum of Ethnology.

2010

“Song of Women?”: A Reflection on Singing and Gender Complimentarity in Modernizing Indigenous Communities in Northern Philippine Highlands.” JATI (Journal of Southeast Asian Studies, University of Malaya) Vol. 15: 61-81.

2010

“Salidummay’s Hibridity and ‘Congregational Singing’”, Humanities Diliman. Vol. 7/1: 24-57.

2003

“Irony of ‘Dying Tradition’ Narratives: Hudhud, Philippines Epic Chant as UNESCO Masterpiece”. Asia Europe Training on Preservation of Traditional Music. Asian-Europe Foundation: 97-114.

2019 （coming out soon）

DVD Firipin Shuen Chiiki no Ongaku (Music of the Philippine’s Peripheral) (『フィリピン周辺地域の音楽』) Minpaku Eizou Minzokushi Vol. 33 (Minpaku Visual Ethnography Series Vol.33みんぱく映像民族誌第33集) National Museum of Ethnology.

2015

“Music in the Life of Balbalasang Village, Northern Philippines.” * National Museum of Ethnology, Japan. 26 minutes. English version/ Japanese version/ Ilokano version with English subtitles.

2014

“Sounds of Bliss, Echoes of War: A Kalinga Wedding of the Northern Philippines.” National Museum of Ethnology, Japan. 27 minutes. English version/ Japanese version/ Ilokano version with English subtitles.

2018

Book review on Cool Japan: Case Studies from Japan’s Cultural and Creative Industries by Tim Craig, ed., East Asian Journal of Popular Culture Vol. 4–2; 258–61.

2015

Film Review on Ga Sibod Dai-a! (Maria Christine M. Muyco. 40 minutes. Colour, DVD. University of the Philippines Center for Ethnomusicology, 2009). Yearbook of Traditional Musics 47: 229-230.

2014

Book Review on Musical Renderings of the Philippine Nation (Christi-Anne Castro, Oxford University Press, 2011). American Anthropologist Vol. 116: 111-112.

2014

Book Review on Colonial Counterpoint: Music in Early Modern Manila (D. R. M. Irving, Oxford University Press, 2010). Journal of Southeast Asian Studies 45: 1, 134-135.

2016

“Oto no Ibasho–Machi de Kanaderu Mura no Onagaku: Firipin Torayan Majokayon Ensemble” (“Location of Sound: Village Music being Played in a Town: Torayan Majokayon Ensemble of the Philippines”) 「音の居場所—街で奏でる村の音楽：フィリピン、トラヤン・マジョカヨン・アンサンブル」) (In Japanese) Gekkan Minpaku (月刊みんぱく) February: 18¬–19.

2011

“Binalig, Sinulog a Kamamatuan, Sinulog a Kangungundan, and Tidtu a Kamamatuan: Four Pieces of Maguindanao Kulintang Ensemble.” Newsletter, Korean Traditional Performing Arts Foundation, Ministry of Culture, Sport and Tourism, Republic of Korea. (In English and Korean)

(2019)

“Interrogating “Doremi-nization”: Theoretical Reflection on Modernization of Indigenous Music Heritage of the Philippines” 11th International Conference of Asian Studies, Leiden University. July 16−19.

(2019)

“Kyosei o Meguru Ongaku Komyuniti no Ejenshi: Zainichi Firipin-jin ni yoru Nodojiman Taikai.” ( Agency of Music Community and Co-living: “Utawit” Singing Contest of Filipino Residents in Japan;「共生をめぐる音楽コミュニティーのエージェンシー：在日フィリピン人によるのど自慢大会」) (in Japanese) Symposium ‘Ongaku Komyuniti to Mainoriti Tabunka Kyosei no Jissen to Kadai (Music Community and Minority: Practice and Issues of Multicultural Co-living; シンポジウム「音楽コミュニティとマイノリティ―多文化共生の実践と課題―」) The Musicological Society of Japan East Japan Regular Meeting. Daito Bunka Kaikan. June 8.

2018

“1960–1970 Nendai no Saridumai (Firipin Hokubu Min’yo) no Ongaku Tekisuto Bunseki: Firipin Daigaku Maseda Korekusyon Onsei Akaibu Chosa Yori.” (Music Text Analysis of Salidummay––Folksongs of Northern Philippines––of the 1960–1970s. 「1960–1970年代のサリドゥマイ（フィリピン北部民謡）の音楽テキスト分析—フィリピン大学マセダ・コレクション音声アーカイブ調査より」 ) (In Japanese) 69th Annual Meeting of the Tôyô Ongaku Gakkai. Taisho University. November 11.

2017

“Dentouka Suru Toki, Shinai Toki: Firipin Senjumin no Uta to Kindai.” (When Doing and Undoing ‘Traditionalization’ : Songs and Modernity of the Indigenous Peoples of the Philippines;「『伝統化』するとき・しないとき：フィリピン先住民の歌と近代」) ( In Japanese) Tobunken Seminar. The University of Tokyo. November 2.

2016

“National Culture Making and American Legacy: The Location of ‘National Cultural Minorities.’” Symposium “Empire and Nationalism: Comparative Perspectives in Asia.” Univeristy of the Philippines. November 23–24.

2015

Yoneno-Reyes, Michiyo and Terada Yoshitaka* “Two Films on Kalinga Music from the Philippines.”43rd World Congress of International Council for Traditional Music, Kazakh National University of Arts. July 16−22.

2015

“Unraveling Ethnicity and 'Beyond Exoticism': Robert Garfias’ Films on Philippine Music and Dance." Workshop of the Japan-ASEAN Collaboration Research Program on Innovative Humanosphere in Southeast Asia: In Search of Wisdom toward Compatibility Growth and Community in the World. Kyoto University Center for Southeast Asian Studies. May 25.

2015

“Imperialism and Postcolonial National Culture Making in the Philippines”, A workshop “Empire and Nationalism: Comparative Studies of Asia, Africa and Latin America.” Kanagawa Univeristy Hakone Training Center. March 19–20.

2014

“’Almost Separate Speces’?: Deconstructing the Highland ‘Cordillera’”, Philippine Studies Conference, National Museum of the Philippines Manila. 11月12−14日。

2014

“’Beyond Exoticism’ and Philippine Studies”, The 19th Young Scholar’s Conference on Philippine Studies in Japan. Hiroshima University. June 18–19.

2014

“’Beyond Exoticism’ and Philippine Ethnography.” International Symposium “An Audiovisual Exploration of Philippine Music: The Historical Contribution of Robert Garfias.” National Museum of Ethnology. May 18.

2013

“Gansa and Jeans: Reflection on a Video Documentation of Kalinga Musics by Minpaku”, Seeing-Sounding Social Transformation in the Musics of Philippine Theatres, University of the Philippines Diliman. September 18–20.

2012

“Voice cum Life: Banao Identity and the Location of Ballaguyos Epic Chant.” Celebrating the Centennial of University Professor Emeritus Leopoldo Y. Yabes and Commemorating His Literary and Cultural Legacy. University of the Philippines Diliman. July 30.

2012

“Utagaki, Kyokuto Beihigun, Sangakuchi Minzoku Undou: Firipin Saridumai to iu Seigaku Janru no Mondai.” (‘Singing Debate, United States Army Forces in the Far East: A Question of Vocal Genre ‘Salidummay’; 「歌垣・極東米比軍・山岳地民族運動―フィリピン・『サリドゥマイ』という声楽ジャンルの問題」) (In Japanese) Tôyô Ongaku Gakkai. Kansai Division Regular Meeting. Osaka City University Umeda Satellite. June 2.

2012

“Dentouka Suru Toki, Shinai Toki: Firipin Senjumin no Uta to Kindai.” (When Doing and Undoing ‘Traditionalization’ : Songs and Modernity of the Indigenous Peoples of the Philippines;「『伝統化』するとき・しないとき：フィリピン先住民の歌と近代」) ( In Japanese) Tôyô Ongaku Gakkai. Kanto Division Regular Meeting. Tokyo University of the Arts. April 21.

2011

“American Film Songs and the Salidummay in the Northern Luzon Highlands”, at an international conference “The Impact of Music in Shaping Southeast Asian Societies”, at College of Music, University of the Philippines Diliman. September 2–3.

2010

“Plural Modernities of Postcolony as Seen from Salidummay Singing in the Northern Philippines” at the 2nd Philippine Studies Conference. Epoc Tsukuba. November 13–14.

2010

“Politics of ‘Traditional Folksong’-Making and Multi-Tempo-Spatial Heterogeneity in the Postcolonial Philippine Periphery”, International Conference on Postcolonial Praxis, held at University of the Philippines Diliman. July 21–23.

2009

“Singing Mothers Negotiate with Modernity: Rethinking Gender Roles and Egalitarianism in the Northern Philippine Highlands”. 2nd Kyoto Global Center for Excellence Workshop. Kyoto University. November 21–22.

2008

“Discourse of Heritage as Post-modern Practice: Illusion of Tradition at the Crossroads of Performance and Narratives”. 30th Annual Conference of Ugnayang Pang-Aghamtao, Inc. San Fernando, Pampanga, Philippines. October 23–24.

2008

“Culture and Mapping: Problem of Highland-Lowland Dichotomy in Philippine Studies”. 8th International Conference on Philippines Studies. Philippine Social Science Council, Quezon City, Philippines. July 23–26.

2008

“Myth of ‘Tradition’ in Salidummay Singing and Narratives in Northern Highland Villages in the postcolonial Philippines”. 1st International Conference on Cordillera Studies, University of the Philippines College Baguio. February 5–7.

2006

“Singing of Modernity and US Shadow: Bodily Aesthetics and Ideology in Salidummay and Shoka”. 1st Philippine Studies Conference in Japan, Tokyo. November 12–13.

2005

“The Memory of the Sea: The Isneg Courtship Song Salén Dumay”. International Conference “The Philippines between Asian and Oceania.” Asian Center, University of the Philippines Diliman. March 2–3.

2003

“Multiplicity of the Cordillera Boundaries: Salidummay in Time and Space” Cordillera Studies Center Lecture Series, University of the Philippines Baguio. September 18.

2003

“Irony of ‘Dying Culture’ Narratives.” Asia Europe Training on Preservation of Traditional Music, 31 March – 7 April, Beijing, China. (Represented by a reader). March 31 – April 7.

2002

“The Indigenous Epic in the Hands of State: The hudhud of the Philippines”. The 17th Congress of International Musicological Society. Leuven Catholic University, Belgium. August 1–7.

2001

“Ongaku Dentou Keishou no Atarashii Ken’i Tachi.” (New Authorities in Transmission of Music Tradition; 音楽伝統継承の新しい権威たち) (In Japanese) 52nd Annual Meeting of Tôyô Ongaku Gakkai. Okinawa Prefectural University of the Arts. November 25–26.

2014.4.30

“Changing Notion of Tradition.” Osaka Univeristy

2012.11.8

“Multi-layered Modernities in the Postcolonial, Highland Philippines.” Session 1: “Theorizing Modernity in the East and the West”, Kyoto University GCOE International Conference “Social Innovation and Sustainability for the Future”. Kyoto University.

2003.10.8

“Japanese and Japanese Society Q and A.” Easter College, Baguio City.

2002.4.15

“Shoka (school song) and Modernity of Japan.” Caravan Lecture on Japan. The Japanology Council in the Philippines. University of the Philippines Diliman.

2002.1.27

“Salidummay: Song of Ideology and Affinity.” University of the Philippines Baguio Lecture Series.

2000.11.16

“Changes and Continuity of Traditional Music” Seminar on Japanese Studies. Siliman University.

(2015)

“The Banaos: Migration history and Cultural Integrity as Seen from Folklore.” (With Barcelon P. Panabang)

2015

“Incipient Modernity through Performance and Visuality in Edo Japan.” （江戸時代の名優・美女・舞台） An exhibition of ukiyoe replica. GT- Toyota Asian Center Hall of Wisdom, University of the Philippines. March 31–May 15.

2014

“Spaces of the Floating World: Landscapes of 19th Century Japan as Seen in the Ukiyoe Replicas”（浮世の空間—浮世絵にみる１９世紀日本の風景）. GT- Toyota Asian Center Hall of Wisdom, University of the Philippines. February 13 –March 31.

2012-2013

“Kizuna Photographic Exhibition”, GT-Toyota Asian Center Hall of Wisdom, University of the Philippines. September 13–January 19.

2012

“Re-imag[in]ing the Nation: Vintage Photographs of the Asian Center Collection”, a photographic exhibition, GT-Toyota Asian Center Hall of Wisdom, University of the Philippines. February 17 –June 30.

2012

Fireflies (邦題『髪をかきあげる』) (Tanghalang Ateneo；Ricardo Abad, Director; Suzue Toshiro鈴江敏郎, Script writer).

2003

ABONG/ Small Home (Koji Imaizumi, Director, A feature film) .