Research Faculty

OGAWA Hiromitsu

OGAWA Hiromitsu

Professor
-2012,
Institute for Advanced Studies on Asia
ogawahir[at]
Research theme: Research on Artifacts from East Asia

Research on Artifacts from East Asia

Research Topics


OGAWA
Hiromitsu has been a Professor in the Department of East
Asian Art since 1992. Educated at the College of Liberal
Arts (B.A., 1973) and the Department of Art History (M.A.,
1977), the University of Tokyo, he became a Research Associate
at the Institute in 1979. After working as Associate Professor
at the Faculty of Arts and Letters, Tohoku University for
five years, he rejoined the Institute in 1987.His principal
field of research is the History of East Asian Art with
emphasis on Chinese painting from antiquity to the middle
ages. It is also an essential part of his work to maintain
and expand the archive which has about two hundred thousand
pieces of photographic documentation of Chinese paintings
kept in the Department. Having completed the second worldwide
research with his team and arranging the supplementary
photographic documents, he is now beginning to prepare
for a third intensive research on Chinese paintings throughout
the world.
His major publications include, Comprehensive
Illustrated Catalogue of Chinese Paintings: Second Series ,
4 vols. Tokyo: The University of Tokyo Press, 1998-2001.
Vol.1, 368 (pls.): Vol.2, 445 (pls.): Vol.3, 371 (pls.):
Vol.4, 633 (pls.), "The Continuity of Spatial Composition
in Sung and Yuan Landscape Painting," in M.K. Hearn & J.G.
Smith ed., Arts of the Sung and Yuan , pp. 339-366.
New York: The Metropolitan Museum of Art, 1996, "On the
Diptych of ‘Cranes’ by Wen Cheng of Shokoku-ji Temple",
Parts 1-3. Kokka , no.1166: 5-17; no.1181: 3-8;
no.1182: 22-32, 1993-94, "The Sliding-door Paintings
in the Hojo of Daisen-in", Parts 1-3. Kokka , no.1120:
13-30; no.1121: 33-49; no.1122: 9-19, 1989, and "The
Famous Screen and Wall Paintings in the Northern Sung
Han-lin Academy", in Commemorative Essays on the History
of Chinese Painting for the Sixtieth Birthday of Prof . Kei
Suzuki , pp.23-85. Tokyo: Yoshikawa-kobunkan, 1981.
The Memoirs of Institute of Oriental Culture
and The Monograph Series of the Institute of Oriental Culture
are abbreviated in this section as MIOC and MSIOC.

Research activities

Books
  • Ogawa, Hiromitsu. Dream Journey : The World of Chinese Landscape Painting. Tokyo: Chuo Koron Bijutsu Shuppan, 2008. (in Japanese)
  • Ogawa, Hiromitsu. Gayu: Chugoku sansuiga, sono sekai:Dream Journey : The World of Chinese Landscape Painting. Tokyo: Chuo Koron Bijutsu Shuppan, 2008. (in Japanese)
  • Ogawa, Katsumasa. Keiun: Ogawa Katsumasa zen-kashu:Auspicious Clouds: The Complete Waka Poems of Ogawa Katsumasa. Edited by Hiromitsu Ogawa, Hisako Ogawa, and Masako Shin’ya. Tokyo: Sunagoya Shobo, 2004. (in Japanese)
  • Ogawa, Hiormitsu, Shin’ya Fujita, and Haruka Takenami. Tenshin-shi Geijutsu Hakubutsu-kan ten. Chiba: Chiba City Museum of Art, 2003. (in Japanese,Chinese)
  • Shin no kaiga:Paintings of Qing. Vol. 5 of The Kokyu Hakubutsu-in. Tokyo: Japan Broadcast Publishing, 1999. (in Japanese)
  • Nan-So no kaiga:Paintings of Southern Song. Vol. 2 of The Kokyu Hakubutsu-in. Tokyo: Japan Broadcast Publishing, 1998. (in Japanese)
  • Gen no kaiga:Paintings of Yuan. Vol. 3 of The Kokyu Hakubutsu-in. Tokyo: Japan Broadcast Publishing, 1998. (in Japanese)
  • Min no kaiga:Paintings of Ming. Vol. 4 of The Kokyu Hakubutsu-in. Tokyo: Japan Broadcast Publishing, 1998. (in Japanese)
  • Ogawa, Hiromitsu. Kyushi-cho. Tokyo: Chuo Koron Bijutsu Shuppan, 1998. (in Japanese)
  • Nam-Boku-cho ~ Hoku-So no kaiga. Vol. 1 of The Kokyu Hakubutsu-in. Tokyo: Japan Broadcast Publishing, 1997. (in Japanese)
  • Ogawa, Hiromitsu. Japanese studies on Asian fine arts, 1973-1983. Vol. II-3 of The Asian studies in Japan, 1973-1983. Tokyo: Centre for East Asian Cultural Studies, 1990.
  • Ogawa, Hiromitsu, and Kei Suzuki. Chugoku kaiga sogo zuroku:Comprehensive illustrated catalogue of Chinese paintings. Vol. 全5 of The. Tokyo: University of Tokyo Press, 1983. (in Japanese)
  • Toda, Teisuke, and Hiromitsu Ogawa. Chugoku no kacho-ga to Nihon:Chinese Flowers and Birds Paintings and Japan. Edited by Teisuke Toda, and Hiromitsu Ogawa. Tokyo: Gakushu Kenkyusha, 1983. (in Japanese)
Edited Books
  • Ogawa, Hiromitsu, and Shin’ya Fujita, eds. Nihon shozai Chugoku kaiga mokuroku zokuhen:Catalogue of Chinese paintings in Japanese collections. Vol. 別輯22 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-gaku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1998. (in Japanese)
  • Ogawa, Hiromitsu, and Tadanori Yuba, eds. Godai, Hoku-So, Ryo, Seika. Vol. 5 of The Sekai bijutsu Dai-zenshu Toyo hen:New history of world art. Tokyo: Shogakukan, 1998. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda, eds. Chugoku kaiga sogo zuroku zokuhen:Comprehensive Illustrated Catalogue of Chinese Paintings Second Series. Vol. 全4 of The. Tokyo: University of Tokyo Press, 1998. (in Japanese)
  • Ogawa, Hiromitsu, and Hiroyuki Suzuki, eds. Kaigai shozai Chugoku kaiga mokuroku kaitei zoho ban (Higashi-Ajia hen):Catalogue of Chinese paintings in foreign collections. Vol. 別輯21 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-gaku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1997. (in Japanese)
  • Ogawa, Hiromitsu, ed. Kyoto Daitoku-ji Shukan Asahi hyakka Nihon no kokuho. Tokyo: Asahi Shimbunsha, 1997. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda, eds. Kaigai shozai Chugoku kaiga mokuroku kaitei zoho ban (Amerika, Kanada hen):Catalogue of Chinese paintings in foreign collections. Vol. 別輯19 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-baku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1994. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda, eds. Kaigai shozai Chugoku kaiga mokuroku kaitei zoho ban (Amerika, Kanada hen):Catalogue of Chinese paintings in foreign collections. Vol. 別輯19 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-baku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1994. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda, eds. Kaigai shozai Chugoku kaiga mokuroku kaitei zoho ban (Amerika, Kanada hen):Catalogue of Chinese paintings in foreign collections. Vol. 別輯19 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-baku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1994. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda, eds. Kaigai shozai Chugoku kaiga mokuroku kaitei zoho ban (Amerika, Kanada hen):Catalogue of Chinese paintings in foreign collections. Vol. 別輯18 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-baku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1994. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda, eds. Kaigai shozai Chugoku kaiga zuroku kaitei zoho ban (Yoroppa hen):Catalogue of Chinese paintings in foreign collections. Vol. 別輯17 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-baku Bunken Senta sokan. Tokyo: Institute of Oriental Culuture, University of Tokyo, 1992. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda, eds. Nihon shozai Chugoku kaiag mokuroku (jiin hen):Catalogue of Chinese paintings in Japanese collections. Vol. 別輯4 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-gaku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1982. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda, eds. Nihon shozai Chugoku Kaiga mokuroku (hakubutsu-kan hen):Catalogue of Chinese paintings in Japanese collections. Vol. 別輯6 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-baku Bunken Senta sokan. Tokyo: Institute of Oriental Culuture, University of Tokyo, 1982. (in Japanese)
  • Ogawa, Hiromitsu, and Kei Suzuki, eds. Kaigai shozai Chugoku kaiga mokuroku (Tonan-Ajia, Yoroppa hen):Catalogue of Chinese paintings in foreign collections. Vol. 別輯3 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-gaku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1981. (in Japanese)
  • Ogawa, Hiromitsu, and Kei Suzuki, eds. Kaigai shozai Chugoku kaiga mokuroku (Tonan-Ajia, Yoroppa hen):Catalogue of Chinese paintings in foreign collections. Vol. 別輯3 of The Tokyo Daigaku Toyo-bunka Kenkyu-sho Fuzoku Toyo-gaku Bunken Senta sokan. Tokyo: Institute of Oriental Culture, University of Tokyo, 1981. (in Japanese)
Articles and Book Chapters
  • Ogawa, Hiromitsu. “Higashi Ajia bijutsu-shi no kanosei:The Possibility of East Asian Art History.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 27 2011: 21-45. (in Japanese)
  • Ogawa, Hiromitsu. “日本における中国絵画史研究の動向とその展望(増補).”Bijutsu-shi-gaku:Art history, Sendai: Department of Art History, Graduate School of Arts and Letters, Tohoku University, no. 31 2011. (in Japanese)
  • Ogawa, Hiromitsu. “The Possibility of East Asian Art History.”Bijutsu-shi Rondan:Art history forum, Seoul: Center for Art Studies, no. 30 2010: 84-101. (in Korean)
  • Ogawa, Hiromitsu. “中国山水画の透視遠近法ー燕文貴のそれの成立まで.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 26 2010. (in Japanese)
  • Ogawa, Hiromitsu. “Suiboku-ga to chakushoku-ga: sono sekaikan sozaibi.”Ink paintings : the beauty of brush and ink, Tokyo: Seikado Bunko Art Museum 2009: 6-16. (in Japanese)
  • Ogawa, Hiromitsu. “Rikaku-ha no keifu.”Li-Guo school painting from China and Korea : special exhibition, Nara: The Museum Yamatobunkakan 2008: 7-12. (in Japanese)
  • Ogawa, Hiromitsu. “Wudai, Bei-Song huihua de toushi yuanjin fa: Zhongguo chuantong huihua de guifan.” Kaichuang dianfan: Bei-Song de yishu yu wenhua yantao hui lunwen. Taipei: National Palace Museum, 2007: 43-70. (in Chinese)
  • Ogawa, Hiromitsu. “Yuanzhong minghua’: cong Dong Yu, Juran, Yan Su dao Guo Xi.”Yishu xue, Taipei: Taipei National University of the Arts, no. 23 2007: 229-308. (in Chinese)
  • Ogawa, Hiromitsu. “Chairpersons’ Reports: Asian Art History Session.”Transactions of the International Conference of Eastern Studies, Tokyo: The Toho Gakkai (The Institute of Eastern Culture), no. LⅠ 2006: 164-173.
  • Ogawa, Hiromitsu. “Godai, Hoku-So no kaiga’ tokushu ni atatte.”Kokka, Tokyo: Kokkasha, no. 1329 2006: 2. (in Japanese)
  • Ogawa, Hiromitsu. “Godai, Hoku-So no kaiga: dento Chugoku no rekishi-teki, bunka-teki aidentiti no engen.”Kokka, Tokyo: Kokkasha, no. 1329 2006: 23-32. (in Japanese)
  • Ogawa, Hiromitsu. “En Bunki hitsu ‘Keizan rokan zu’.”Kokka, Tokyo: Kokkasha, no. 1329 2006: 46-47. (in Japanese)
  • Ogawa, Hiromitsu. “Tsuito Kawakami Kei sensei.”Toho-gaku:Eastern studies, Tokyo: Institute of Eastern Culture, Japan, no. 112 2006: 139-140. (in Japanese)
  • Ogawa, Hiromitsu. “Zhongguo shanshui hua de toushi yuanjin fa: lun Guo Xi shanshui hua.” Qiannian yizhen guoji xueshu yantao hui lunwen ji. Edited by Shanghai Bowuguan. Shanghai: 上海書画出版社, 2006: 253-262. (in Chinese)
  • Ogawa, Hiromitsu. “Chairpersons’ Reports: Asian Art History Session.”Transactions of the International Conference of Eastern Studies, Tokyo: The Toho Gakkai (The Institute of Eastern Culture), no. L 2005.
  • Ogawa, Hiromitsu. “Cho Mofu ‘Suison zukan’: Kokyu no shiho.”Nit-Chu bunka koryu, Tokyo: 日中文化交流協会, no. 706(臨時増刊) 2005: 2-2. (in Japanese)
  • Ogawa, Hiromitsu. “Cong Yan Wengui zuopin zhong de toushi yuanjin fa kan Zhongguo shanshui hua toushi yuanjin fa zhi chengli.”Gugong xueshu jikan, Taipei: National Palace Museum 23, no. 1 2005: 241-266. (in Chinese)
  • Ogawa, Hiromitsu. “Zhongguo huihua de toushi yuanjin fa: lun Guo Xi shanshui hua.”Xin meishu, Hangzhou: 中国美術学院出版社, no. 2005年第2期 2005: 61-65. (in Chinese)
  • Ogawa, Hiromitsu. “Shanshui, fengsu, xushi: Tang, Song, Yuandai Zhongguo huihua dui Riben de yingxiang.”Gugong wenwu yuekan, Taipei: National Palace Museum 23, no. 5 2005: 80-99. (in Chinese)
  • Ogawa, Hiromitsu. “Shanshui, fengsu, xushi: Tang, Song, Yuandai Zhongguo huihua dui Riben de yingxiang.”Gugong wenwu yuekan, Taipei: National Palace Museum 23, no. 6 2005: 64-75. (in Chinese)
  • Ogawa, Hiromitsu. “Shanshui, fengsu, xushi: Tang, Song, Yuandai Zhongguo huihua dui Riben de yingxiang.”Gugong wenwu yuekan, Taipei: National Palace Museum 23, no. 7 2005: 58-67. (in Chinese)
  • Ogawa, Hiromitsu. “Chairpersons Reports: Asian Art History Session.”Transactions of the International Conference of Eastern Studies, Tokyo: The Tôhô Gakkai (The Institute of Eastern Studies), no. XLIX 2004.
  • Ogawa, Hiormitsu. “Okyo ga motome-tsuzuketa mono: jinrui bijutsu no shiza.”Geijutsu Shincho, Tokyo: Shinchosha, no. 2004年2月号 2004: 76-80. (in Japanese)
  • Ogawa, Hiromitsu. “Bijutsu sosho’ no kanko ni tsuite: Yoroppa no gainen ‘Fine Arts’ to Nihon no yakugo ‘Bijutsu’ no donyu.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 20 2004: 33-54. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Sen ‘Rokkaku zu hekiga’ to sono keifu (ge).”Kokka, Tokyo: Kokkasha, no. 1297 2003: 7-25. (in Japanese)
  • Ogawa, Hiromitsu. “Chugoku sansui-ga no toshi-enkin-ho: Kaku Ki no sore o chushin ni.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 19 2003. (in Japanese)
  • Ogawa, Hiromitsu. “Bijutsu-shi-gaku ni okeru kenkyu towa?: daigaku to bijutsu-kan, hakubutsu-kan to no gakujutsu koryu ni tsuite.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 19 2003: 127-132. (in Japanese)
  • Ogawa, Hiromitsu. “Shoga no Ajia, chokoku no Ajia, kenchiku no Ajia, bijutsu no Ajia: Ajia bijutsu to aidentiti josetsu.” Ajia-gaku no shorai-zo:The future image of Asian studies. Tokyo: University of Tokyo Press, 2003: 485-512. (in Japanese)
  • Ogawa, Hiromitsu. “Bijutsu-shi-gaku ni okeru kenkyu towa?: daigaku to bijutsu-kan, hakubutsu-kan to no gakujutsu koryu ni tsuite.”Gakujutsu no doko, Tokyo: Japan Science Support Foundation 8, no. 1 2003. (in Japanese)
  • Ogawa, Hiromitsu. “From RESEARCH ROOM Shiho shiki shoheki-ga.”FROM KOZU Osaka furitsu Kozu Koto Gakko doso-kai ho: 大阪府立高津高等学校同窓会, no. 8 2003. (in Japanese)
  • Ogawa, Hiromitsu. “Genkan robi o gakugai-sha ni kaiho: kaiga-ten o kaisai.”Shukan Tokyo Daigaku Shimbun, Tokyo: University of Tokyo Newspaper 2003. (in Japanese)
  • Ogawa, Hiromitsu. “Toyo-bunka Kenkyu-sho genkan horu.”Gakunai koho, Tansei hyoron, Tokyo: University of Tokyo, no. 1265 2003. (in Japanese)
  • Ogawa, Hiromitsu. “Sesshu: Higashi-Ajia no soryo gaka:Sesshu: Monk Painter in Eastern Asia.”Kokka, Tokyo: Kokkasha, no. 1276 2002: 33-41. (in Japanese)
  • Ogawa, Hiromitsu. “Chugoku kaiga sogo zuroku’, ‘do zokuhen’ no kanko ni yosete: choroku no rekishi no nagare no naka de.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 18 2002: 111-119. (in Japanese)
  • Ogawa, Hiromitsu. “Shiho no daichi shiki no fuko: kan-Nihon-kai bijutsu no sennen-ki.” Kanryu suru bunka to bi. Edited by Masanori Aoyagi, and Ronald Toby. Vol. 2, Nihon-kai-gaku no shin-seiki. Tokyo: Kadokawa Shoten Asuka Kikaku, 2002: 87-96. (in Japanese)
  • Ogawa, Hiromitsu. “Uragami Gyokudo ‘Toun shisetsu zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 251 2002. (in Japanese)
  • Ogawa, Hiromitsu. “So Jinsan ‘Ka To shii sansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 257 2002. (in Japanese)
  • Ogawa, Hiromitsu. “Jin Yu ‘Juman zusatsu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 258 2002. (in Japanese)
  • Ogawa, Hiromitsu. “Tai Ki ‘Shunkei sansui zu (hachi fuku)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 259 2002. (in Japanese)
  • 小川裕充. “Jakuson Porokku ‘One: Number 31, 1950’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 260 2002. (in Japanese)
  • Ogawa, Hiromitsu. “Chugoku sansui-ga hyakusen owarini.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 261 2002. (in Japanese)
  • Ogawa, Hiromitsu. “Chugoku kaiga no koten-sei towa?: Nihon kaiga-shi ni totte no sore o chushin ni.”Bijutsu foramu 21:Bijutsu forum 21, Kyoto: Daigo Shobo, no. 4 2001: 44-46. (in Japanese)
  • Ogawa, Hiromitsu. “Shoga soron garon.” Chugoku shiso bunka jiten:Dictionary of the history of ideas in China. Tokyo: University of Tokyo Press, 2001: 451-455. (in Japanese)
  • Ogawa, Hiromitsu. “Kin No ‘Bokubai zu (yon fuku)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 246 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Tei Sho ‘Enzan enchiku zu (yon fuku)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 247 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Gin ‘Ho ko-sansui zusatsu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 248 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Sen To ‘Enen juroku-kei zusatsu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 249 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Tei Zen ‘Kongo-san zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 250 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Nihon ni okeru Chugoku kaiga-shi kenkyu no doko to sono tembo: So-Gen jidai o chushin ni.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 17 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Kokuho tampo: taiki yo hikari yo akogare no chi yo: Mokkei ‘Shosho hakkei zu’.”NHK Kyoiku Terebi:NHK, Tokyo: Japan Broadcasting Corporation 2001. (in Japanese)
  • Ogawa, Hiromitsu Yamamori Eiji shi ni yoru indabyu kiji”Teburu toku: Chugoku kaiga o ichiman-ten mora han-seiki no chosa o hashi-watashi.”Asahi Shimbun yukan:Asashi Shimbun, Tokyo: Asahi Shimbunsha 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Han-seiki o kaketa Chugoku kaiga no shiryo shushu.”Gekkan hon no mado, Tokyo: Shogakukan 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Yoroppa demo Nihon demo nai Indo demo nai Chugoku no kaiga towa.”Ajia o shireba sekai ga mieru, Tokyo: Shogakukan 2001: 148-161. (in Japanese)
  • Ogawa, Hioromitsu. “Bijutsu-shi dai 150 satsu kinen bessatsu’ kanko ni yosete.”Bijutsu-shi (so-mokuroku No.1 – No.150 1950 – 2001):General Index: No.1-No.150 1950-2001, Journal of the Japan Art History Society, Tokyo: The Japan Art History Society, no. 150号別冊 2001: 3-3. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Tei ‘Gunho unsei zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 239 2001. (in Japanese)
  • Ogawa, Hiromitsu. “En Ko, O Un ‘Rokaku sansui zu byobu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 240 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Ro Seinei ‘Hyakushun zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 241 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Sen Ijo ‘Seika zenzu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 242 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Getsurei zu (12 gatsu).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 243 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Shin ‘Sansui bokumyo zusatsu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 244 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Ka Gan ‘Shusei-fu-i zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 245 2001. (in Japanese)
  • Ogawa, Hiromitsu. “Hoku-So jidai no Shingyo-den to So Taiso, Jinso zazo ni tsuite.”Kokka, Tokyo: Kokkasha, no. 1255 2000: 17-29. (in Japanese)
  • Ogawa, Hiromitsu. “The Trend and Perspective of the Study of the History of Chinese Paintings in Japan — Focusing on Sung and Yuan Era.”Art history forum, Seoul: Center for Art Studies, no. 10 2000: 11-69. (in Korean)
  • Ogawa, Hiromitsu. “Tai Honko ‘Monju-in zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 235 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Bai Sei ‘Kyuryu-tan zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 236 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Kyo Ken ‘Sengen bangaku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 237 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Ho Jakushin ‘Sansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 238 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Henshu koki.” Fukui Rikichiro bijutsu-zhi ronshu: ge. Tokyo: Chuo Koron Bijutsu Shuppan, 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Toyo-bunka Kenkyu-sho rogo maku.”Gakunai Koho, Tokyo: University of Tokyo, no. 1194 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Go Reki ‘Hakufu Bonko zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 227 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Un Juhei ‘Kao yuyo zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 228 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Yan Ferumeru ‘Derufuto no chobo’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 229 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Hachidai sanjin ‘Amban cho (sansui-zu)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 230 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Sekito ‘Kozan hassho zusatsu (Meigen-sen, Koto-gan zu)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 231 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Sekikei ‘Hoon-ji zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 232 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Zenko ‘Kozan mujin zukan (bubun)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 233 2000. (in Japanese)
  • Ogawa, Hiromitsu. “Sa Shihyo ‘Togen zukan (bubun)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 234 2000. (in Japanese)
  • Ogawa, Hiromitsu. “The Chinese Painter Muqi’ in Memoirs of the Research.”Memoirs of the Research Department of the Toyo Bunko, Tokyo: Toyo Bunko, no. 57 1999: 33-59.
  • Ogawa, Hiromitsu. “Kenryu-tei no yon-meikan.” Kenryu-tei no korekushon. Vol. 15, Kokyu Hakubutsu-in. Tokyo: Japan Broadcast Publishing, 1999: 66-69. (in Japanese)
  • Ogawa, Hiromitsu. “Chukan kaidai.” Fukui Rikichiro bijutsu-shi ronshu: chu. Tokyo: Chuo Koron Bijutsu Shuppan, 1999. (in Japanese)
  • 小川裕充. “Kuizu Nihon-jin no shitsumon: Cho Soyo demo egakenakatta mono kaisetsu.”NHK Terebi:NHK, Tokyo: Japan Broadcasting Corporation 1999. (in Japanese)
  • Ogawa, Hiromitsu. “Sai Shichu ‘Kyoen sokaku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 220 1999. (in Japanese)
  • Ogawa, Hiromitsu. “Tawaraya Sotatsu ‘Matsushima zu byobu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 221 1999. (in Japanese)
  • Ogawa, Hiromitsu. “Sho Unju ‘Sansui seion zukan (bubun)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 222 1999. (in Japanese)
  • Ogawa, Hiromitsu. “O Jibin ‘Ho Ko Kobo Sansui-zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 223 1999. (in Japanese)
  • Ogawa, Hiromitsu. “O Kan ‘Ho Ko Kobo Enfu enshu zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 224 1999. (in Japanese)
  • Ogawa, Hiromitsu. “O Ki ‘Keizan koju zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 225 1999. (in Japanese)
  • Ogawa, Hiromitsu. “O Genki ‘Kazan shushoku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 226 1999. (in Japanese)
  • Ogawa, Hiromitsu. “Kuizu Nihon-jin no shitsumon: kuzen zetsugo kaisetsu.”NHK Terebi:NHK, Tokyo: Japan Boradcasting Corporation 1999. (in Japanese)
  • Ogawa, Hiromitsu. “Kaigai oyobi Nihon shozai Chugoku kaiga mokuroku: Chugoku kaiga sogo zuroku dai 2 ki-bun kanko ni yosete.”Tokyo Daigaku Toyo-bunka Kenkyu-sho Toyo-gaku Bunken Senta-ho Senta tsushin, Tokyo: Institute of Oriental Culture, University of Tokyo, no. 38 1998. (in Japanese)
  • Ogawa, Hiromitsu. “『書画』■『美術』.”Art history forum, Seoul: Center for Art Studies, no. 7 1998. (in Korean)
  • Ogawa, Hiromitsu. “Shoga to bijutsu.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 14 1998: 157-166. (in Japanese)
  • Ogawa, Hiromitsu. “O Kensho ‘Unrei suisei zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 203 1998. (in Japanese)
  • Ogawa, Hiromitsu. “Ai Ei ‘ moku Kyo-Sho zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 204 1998. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Doshu ‘Shoseki zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 205 1998. (in Japanese)
  • Ogawa, Hiromitsu. “Chin Koju ‘Sembun-kun jukyo zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 206 1998. (in Japanese)
  • Ogawa, Hiromitsu, Yoshitaka Ariga, and Motoaki Kono. “Jo.” Fukui Rikichiro bijutsu-shi ronshu: jo. Tokyo: Chuo Koron Bijutsu Shuppan, 1998. (in Japanese)
  • Ogawa, Hiromitsu. “To Kisho ‘Seiben zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 196 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Bei Bansho ‘Kanrin hokaku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 197 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Go Hin ‘Saika kisho zusatsu (Toko zu)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 198 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Zuito ‘Sansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 199 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Ko ‘Seika-zan zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 201 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Sa ‘Chikuin hoso zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 202 1997. (in Japanese)
  • Ogawa, Hiromitsu. “So-Gen sansui-ga ni okeru kosei no densho.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 13 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Mokkei hitsu ‘Shosho hakkei zukan’ no genjo ni tsuite.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 13 1997: 111-117. (in Japanese)
  • Ogawa, Hiromitsu. “Sansui, fuzoku, setsuwa: To-So-Gen-dai Chugoku kaiga no Nihon e no eikyo.” Geijutsu. Vol. 7, Nit-Chu bunka-koryu-shi sosho. Tokyo: Taishukan Shoten, 1997: 2-50. (in Japanese)
  • Ogawa, Hiromitsu. “Riku Chi ‘Senzan rokaku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 190 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Bun Ka ‘Biwa-ko zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 191 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Bun Hakujin ‘Shiman sansui zu (yon fuku)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 192 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Sen Koku ‘Kokyu zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 193 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Tei Unho ‘Genko shutsuun tento gyojitsu zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 194 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Ri Shitatsu ‘Chikuri sensei zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 195 1997. (in Japanese)
  • Ogawa, Hiromitsu. “Kiso hitsu ‘Zuikaku zukan’.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 12 1996: 129-137. (in Japanese)
  • Ogawa, Hiromitsu. “O Gaku ‘Kokaku encho zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 178 1996. (in Japanese)
  • Ogawa, Hiromitsu. “To In ‘Sanro shosei zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 187 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Kyu Ei ‘Senzan rokaku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 188 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Sha Jishin ‘Kazan Sensho zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 189 1996. (in Japanese)
  • Ogawa, Hiromitsu, and Junji Nakajima. “Nichiyo Bijutsu-kan Sesshu Ama-no-hajidate ni tatsu.”NHK Kyoiku Terebi, Tokyo: Japan Broadcasting Corporation 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Chugoku gaka Mokkei.”Mokkei: shokei no suiboku-ga:Ink mists : Zen paintings by Muqi : special exhibition, Tokyo: The Gotoh Museum, no. 118 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Kannon enkaku zu.”Mokkei: shokeino suiboku-ga:Ink mists : Zen paintings by Muqi : special exhibition, Tokyo: The Gotoh Museum, no. 118 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Tang Song Yuandai Zhongguo huihua dui Riben de yingxiang.”Yishu juan, Hangzhou: 浙江人民出版社 7 1996. (in Chinese)
  • Ogawa, Hiromitsu. “Bukan, ryuen, chikujaku zu.”Mokkei: shokei no suiboku-ga:Ink mists : Zen paintings by Muqi : special exhibition, Tokyo: The Gotoh Museum, no. 118 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Heisa rakugan zu’, ‘Gyoson yusho zu’, ‘Enji bansho zu’, ‘Empo kihan zu’, ‘Koten bosetsu zu’, ‘Dotei shugetsu zu’, ‘Shosho yau zu’.”Mokkei: shokei no suiboku-ga:Ink mists : Zen paintings by Muqi : special exhibition, Tokyo: The Gotoh Museum, no. 118 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Ryuko zu.”Mokkei: shokei no suiboku-ga:Ink mists : Zen paintings by Muqi : special exhibition, Tokyo: The Gotoh Museum, no. 118 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Shu Tan ‘Sansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 179 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Ryuko zu (Kanjun Kishi Mokkei).”Mokkei: shokei no suiboku-ga:Ink mists : Zen paintings by Muqi : special exhibition, Tokyo: The Gotoh Museum, no. 118 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Fuyo zu.”Mokkei: shokei no suiboku-ga:Ink mists : Zen paintings by Muqi : special exhibition, Tokyo: The Gotoh Museum, no. 118 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Rafuku busei zu.”Mokkei: shokei no suiboku-ga:Ink mists : Zen paintings by Muqi : special exhibition, Tokyo: The Gotoh Museum, no. 118 1996. (in Japanese)
  • Ogawa, Hiromitsu. “O Seisho ‘Shoin shooku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 180 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Ro ‘Doin junkaku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 181 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Sho Su ‘Shiki sansui zukan (Shukei sansui zu)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 182 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Shi Chu ‘Seisetsu zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 183 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Shin Shu ‘Rozan-ko zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 184 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Bun Chomei ‘Uyo shunju zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 185 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Shu Shin ‘Hokumei zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 186 1996. (in Japanese)
  • Ogawa, Hiromitsu. “Bu Genchoku no katsuyaku nendai to sono seisaku kankyo ni tsuite.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 11 1995: 67-75. (in Japanese)
  • Ogawa, Hiromitsu. “Daisen-in hojo no iwayuru ‘zochiku’ mondai ni tsuite:Issues of Enlargement Daisen-in Temple Hojo.”Bijyutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 11 1995: 93-106. (in Japanese)
  • Ogawa, Hiromitsu. “Sesshu ‘Amanohashidate zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 173 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Seki Ei ‘Tanka zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 174 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Ryo Bun’ei ‘Fuu sansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 176 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Go I ‘Gyoraku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 175 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Sho Rei ‘Kambaku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 177 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Taigetsu oku Genkyu.”Gakunai koho, Tokyo: University of Tokyo, no. 1012 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Kiso hitsu ‘Zuikaku zukan’: Higashi-Ajia kacho-ga-shi ni okeru sono shiteki ichi.”Shuppan daijesuto, Tokyo: 出版ダイジェスト社, no. 1576 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Riben de Dongfang meishu yanjiu jinkuang:Japanese Studies on Asian Fine Arts:1973-1985.”Meishu Shilun:Historical Studies in Fine Arts, Beijing: Graduate School of China Art Academy, no. Feb-95 1995. (in Chinese)
  • Ogawa, Hiromitsu. “Cho Gen ‘Gokei sodo zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 166 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Chin Jogen ‘Rafu sansho zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 167 1995. (in Japanese)
  • Ogawa, Hiromitsu. “O Ri ‘Kazan zusatsu (Gyokusen-in zu)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 168 1995. (in Japanese)
  • Ogawa, Hiromitsu. “O Futsu ‘Shurin inkyo zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 169 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Tai Shin ‘Shunto sansui zu (2 fuku)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 170 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Ri Zai ‘Kikyorai-kei zukan (Kumo mushin ni shite motte shu yori izu zu)’.”Toho :Eastern book review, Tokyo: Toho Shoten, no. 171 1995. (in Japanese)
  • Ogawa, Hiromitsu. “An Gyon ‘Muyu togen zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 172 1995. (in Japanese)
  • Ogawa, Hiromitsu. “Shokoku-ji zo Bunsei hitsu ‘Meikaku zu (tsuifuku)’ (chu):On the Dyptich of ‘Cranes’ by Wen Cheng of Shokoku-ji Temple Part2.”Kokka, Tokyo: Kokkasha, no. 1181 1994: 8-17. (in Japanese)
  • Ogawa, Hiromitsu. “Shokoku-ji zo Bunsei hitsu ‘Meikaku zu (tsuifuku)’ (ge):On the Dyptich of ‘Cranes’ by Wen Cheng of Shokoku-ji Temple Part3.”Kokka, Tokyo: Kokkasha, no. 1182 1994: 22-32. (in Japanese)
  • Ogawa, Hiromitsu. “Shisui zu.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 161 1994. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) O Shimpo ‘Toso shukyo zusatsu (Meiken kokuko daira shinjin zu)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 162 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Son Kuntaku ‘Sekkei sansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 163 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Sei Bo ‘Sankyo noryo zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 164 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Ho Jugi ‘Unzan zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 165 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Tokushu: Chugoku bunka o yomu 279 satsu Rinzai-roku.”Gekkan Shinika:Sinica, Tokyo: Taishukan Shoten, no. 50 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Ri Yokin ‘Kan’en zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 154 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Kobo ‘Fushun sankyo zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 156 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Go Chin ‘Gyoho zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 157 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Gei San ‘Yoshitsu-sai zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 158 1994. (in Japanese)
  • Ogawa, Hiromitsu. “O Mo ‘Guku rin’oku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 159 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Rei Ken ‘Hakugaku zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 160 1994. (in Japanese)
  • Ogawa, Hiromitsu. “Shokoku-ji zo Bunsei hitsu ‘Meikaku zu (tsuifuku)’ (jo):On the Dyptich of ‘Cranes’ by Wen Cheng of Shokoku-ji Temple Part1.”Kokka, Tokyo: Kokkasha, no. 1166 1993: 5-17. (in Japanese)
  • Ogawa, Hiromitsu. “Ryo Kai ‘Sekkei sansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 142 1993. (in Japanese)
  • Ogawa, Hiromitsu. “To Tei ‘Ho Kaku Ki Shuzan koryo zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 151 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Yo Teibi ‘Yu yokan zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 152 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Ra Chisen ‘Sekko zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 153 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Chin Yo hitsu ‘Unryu zu’, (Den) Mokkei hitsu ‘Rafuku busei zu’.”Gyobutsu bekkan Chugoku bijutsu, Tokyo: Mainichi Shimbunsha 13 1993. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda. “Henshu koki.”Chugoku kaida-shi kenkyu, Tokyo: Chuo Koron Bijutsu Shuppan 2 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Ba Rin ‘Hoshun usei zu satsuketsu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 143 1993. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Ri San ‘Shosan koryo zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 144 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Mofu ‘Suison zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 146 1993. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Ko San ‘Rinran sekisui zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 145 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Kokukyo ‘Un’o shurei zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 147 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Sen Sen ‘Sankyo zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 148 1993. (in Japanese)
  • Ogawa, Hiromitsu. “So Chihaku ‘Gunho sessei zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 149 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Shu Tokujun ‘Rinka meikin zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 150 1993. (in Japanese)
  • Ogawa, Hiromitsu. “Setsu Shoku Rokkaku-zu byobu ko: Shoso-in Nanso Homotsu Shikki ni egakareta somoku kaku zu ni tsuite.”Toyo-bunka Kenkyu-sho kiyo:The memoirs of the Institute of Oriental Culture, Tokyo: Nikko Shoin, no. 117 1992: 179-214. (in Japanese)
  • Ogawa, Hiromitsu. “Ri To ‘Sansui zu’ (tsuifuku).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 135 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Ri-shi ‘Shosho gayu zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 136 1992. (in Japanese)
  • Ogawa, Hiromitsu. “O Ko ‘Shosho hakkei zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 137 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Hakushuku ‘Bansho kinketsu zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 138 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Ba En ‘Saien gashu zukan (Shunyu fushi zukan)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 139 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Ka Kei ‘Fuu sansui zu dansen’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 140 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Ri Su ‘Seiko zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 141 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Ri To hitsu ‘Bangaku shofu zu’, ‘Koto-in sansui zu’: sono sozai kosei no kyotsu-sei ni tsuite.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 8 1992: 57-70. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Sen ‘Rokkaku zu hekiga’ to sono keifu (jo).”Kokka, Tokyo: Kokkasha, no. 1165 1992: 7-22. (in Japanese)
  • Ogawa, Hiromitsu. “Chugoku kaiga: Higashi-Ajia kokusai yoshiki no shocho.” Suiboku-ga to Chusei emaki Nam-Boku-cho, Muromachi no kaiga 1. Vol. 12, Nihon bijutsu zenshu. Tokyo: Kodansha, 1992: 194-201. (in Japanese)
  • Ogawa, Hiromitsu. “To Itoku taishi bo bodo gijo zu hekiga (bubun).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 130 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Tonko Bakko-kutsu dai 321 kutsu Hou-kyo henso hekiga (bubun).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 131 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Tonko Bakko-kutsu dai 445 kutsu hokuheki Miroku jo-gesho-kyo henso hekiga (bubun).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 132 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Kizo sogaku zu (Kaede suo zome raden so biwa kampachi).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 133 1992. (in Japanese)
  • Ogawa, Hiromitsu. “Shigi-san engi emaki (Engi kaji no maki).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 134 1992. (in Japanese)
  • Murck, Alfreda, and Wen C. Fong ed. ““The Relationship between Landscape Representations and Self-Inscriptions in the Works of Mi Yu-jen”.” Words and Images: Chinese Poetry Calligraphy and Painting. New York and Princeton: The Metropolitan Museum of Art and Princeton University Press, 1991.
  • Ogawa, Hiromitsu. “The Relationship between Landscape Representations and Self-Inscriptions in the Works of Mi Yu-jen.” Words and Images: Chinese Poetry,Calligraphy, and Painting. Edited by Alfreda Murck, and Wen C. Fong. New York and Princeton: The Metropolitan Museum of Art and Princeton University Press, 1991: 123-140.
  • Ogawa, Hiromitsu. “Minga zokuroku shoko: Shokoku-ji zo ‘Meikaku zu (tsuifuku)’ to kanren shite.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo 7 1991: 19-30. (in Japanese)
  • Ogawa, Hiromitsu, and Shun Odajima. “Ri Konen hitsu ‘Sansui zu’.”Bijutsu-shi-gaku:Art history, Sendai: Department of Art History, Graduate School of Arts and Letters, Tohoku University, no. 13 1991: 79-84. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Takutan ‘Seimei joga zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 126 1991. (in Japanese)
  • Ogawa, Hiromitsu. “Kyo Chujo ‘Go-Sekiheki-fu zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 127 1991. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Ko Gaishi ‘Rakushin-fu zukan (bubun)’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 128 1991. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Ten Shiken ‘Yushun zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 129 1991. (in Japanese)
  • Ogawa, Hiormitsu. “Nihon ni okeru Toyo-gakku no doko to sono tembo 1973-1985: Bijutsu-shi (Ajia hen):Japanese Studies on Asian Fine Arts1973-1985.” Akiyama Terukazu hakase koki kinen bijutsu-shi rombun-shu. Edited by Akiyma Terukazu hakase koki kinen rombun-shu kanko-kai. Kyoto: Benrido, 1991: 515-533. (in Japanese)
  • Ogawa, Hiromitsu. “Ka shu to sansui zu (Shiki sansui zu zan sampuku).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 118 1991. (in Japanese)
  • Ogawa, Hiromitsu. “Keiryo chushitsu shiki sansui zu hekiga.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 119 1991. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Cho Reijo ‘Shuto zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 120 1991. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) O Shin ‘Enko chosho zukan’.”Toho:Easter book review, Tokyo: Toho Shoten, no. 121 1991. (in Japanese)
  • Ogawa, Hiromitsu. “Ri Konen ‘Sansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 122 1991. (in Japanese)
  • Ogawa, Hiromitsu. “Bu Genchoku ‘Sekiheki zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 123 1991. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Cho Hakuku ‘Kozan shushoku zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 124 1991. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Kyo Donei ‘Shuko gyotei zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 125 1991. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) To Gen ‘Kanrin chotei zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 106 1990. (in Japanese)
  • Ogawa, Hiromitsu. “Bei Yujin ‘Unzan zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 107 1990. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Kyonen ‘Sho Yoku tan Rantei zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 116 1990. (in Japanese)
  • Ogawa, Hiromitsu. “En Bunki ‘Kozan rokan zukan’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 117 1990. (in Japanese)
  • Ogawa, Hiromitsu. “Bihua zhong de ‘shijian’ ji qi fangxiang xing.”Yishu xue, Taipei: 藝術家出版社, no. 4 1990. (in Chinese)
  • Ogawa, Hiromitsu. “Mokkei ‘Gyoson yusho zu’ (Shosho hakkei zu dankan).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 108 1990. (in Japanese)
  • Ogawa, Hiromitsu. “Gyokukan ‘Sanshi seiran zu’ (Shosho hakkei zu dankan).”Toho:Eastern book review, Tokyo: Toho Shoten, no. 109 1990. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Ri Sei ‘Kyosho heien zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 110 1990. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Kei Ko ‘Kyoro zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 111 1990. (in Japanese)
  • Ogawa, Hiromitsu. “Yomo-dai ryobo shutsudo sansui zu.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 112 1990. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Kan Do ‘Shuzan bansui zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 113 1990. (in Japanese)
  • Ogawa, Hiromitsu. “Binzan seiun zu.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 114 1990. (in Japanese)
  • Ogawa, Hiromitsu. “Han Kan ‘Keizan koryo zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 115 1990. (in Japanese)
  • Ogawa, Hiromitsu. “Daisen-in hojo fusuma-e ko (jo):The Sliding-door Paintings in the Hojo of Daisen-in, Part1.”Kokka, Tokyo: Kokkasha, no. 1120 1989: 13-30. (in Japanese)
  • Ogawa, Hiromitsu. “Juko-in hojo no soken nendai ni tsuite.”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 5 1989: 45-55. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Kokukyo ‘Un’o shurei zu’.”Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 7 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Yomo-dai Ryobo shutsudo sansui-zu.”Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 8 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Ko Kobo ‘Fushun sankyo zu’.”Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 9 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Ho Jugi ‘Unzan shinsho zu’.”Nihon Keizai Shimbunsha, Tokyo: Nihon Keizai Shimbunsha, no. 10 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Hajime ni.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 104 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Kaku Ki ‘Soshun zu’.”Toho:Eastern book review, Tokyo: Toho Shoten, no. 105 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Daisen-in Hojo fusuma-e ko (chu):The Sliding-door Paintings in the Hojo of Daisen-in, Part2.”Kokka, Tokyo: Kokkasha, no. 1121 1989: 33-49. (in Japanese)
  • Ogawa, Hiromitsu. “Daisen-in Hojo fusuma-e ko (ge):The Sliding-door Paintings in the Hojo of Daisen-in, Part3.”Kokka, Tokyo: Kokkasha, no. 1122 1989: 9-19. (in Japanese)
  • Ogawa, Hiromitsu. “Taipei Kokyu Hakubutsu-in no shuzo: Chugoku kaiga kanzo-shi josetsu.”Taipei Kokyu Hakubutsu-in no sho, Tokyo: Geijutsu Shimbunsha, no. 創刊号 1989: 191-195. (in Japanese)
  • Ogawa, Hiromitsu. “Sennyu-ji zo Shunjo Risshi, Nanzan Daishi, Daichi Risshi zo (sampuku).” Nihon kaiga-shi no kenkyu. Edited by Yamane Yuzo sensei koki kinen-kai. Tokyo: Yoshikawa Kobunkan, 1989: 67-108. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) To Gen ‘Kanrin chotei zu’.”Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 1 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Kaku Ki ‘Soshun zu’.”Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 2 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Bei Yujin ‘Unzan zu’.”Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 3 1989. (in Japanese)
  • Ogawa, Hiromitsu. “(Den) Kyonen ‘Sho Yoku tan Rantei zu’.”Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 4 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Ri-shi ‘Shosho gayu zu’.”Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 5 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Cho Mofu ‘Suizon zu’.”Nihon Keizai Shimubun:Nihon Keizai Shimbun, Tokyo: Nihon Keizai Shimbunsha, no. 6 1989. (in Japanese)
  • Ogawa, Hiromitsu. “Mokkei: koten shugi no hen’yo (jo).”Bijutsu-shi ronso:Studies in art history – The Department of Art History, Faculty of Letters, the University of Tokyo, Tokyo: The Department of Art History, Faculty of Letters, the University of Tokyo, no. 4 1988: 95-111. (in Japanese)
  • Ogawa, Hiromitsu. “Hekiga ni okeru ‘jikan’ to sono hoko-sei: Keiryo hekiga to Byodo-in Hoo-do heki-higa.”Bijutsu-shi-gaku:Art history, Sendai: Department of Art History, Graduate School of Arts and Letters, Tohoku University, no. 9 1987: 37-64. (in Japanese)
  • Ogawa, Hiromitsu, and Teisuke Toda. “Jo.” Nihon kaiga-shi kenkyu. Vol. 1, Shimada Shujiro chosaku-shu. Tokyo: Chuo Koron Bijutsu Shuppan, 1987. (in Japanese)
  • Ogawa, Hiromitsu. “Unzan-zu-ron zokko (jo) : Bei Yujin ‘Unzan zukan’ to sono keifu.”Kokka, Tokyo: Kokkasha, no. 1096 1986: 5-28. (in Japanese)
  • Ogawa, Hiromitsu. “Bei Yujin no kaiga to bungaku: sono sansui hyogen to jidai to no kanren ni tsuite:The Relationship between Landscape Representations and Self-Inscriptions in the Works of Mi Yu-jen.”Bijutsu-shi-gaku:Art history, Sendai: Department of Art History, Graduate School of Arts and Letters, Tohoku University, no. 8 1986. (in Japanese)
  • Ogawa, Hiromitsu. “Unzan-zu-ron zokko (ge): Bei Yujin ‘Unzan zukan’ to sono keifu.”Kokka, Tokyo: Kokkasha, no. 1097 1986: 31-59. (in Japanese)
  • Ogawa, Hiromitsu. “Sansui-ga.” Heibonsha shimban dai-hyakka jiten. Tokyo: Heibonsha, 1985. (in Japanese)
  • Ogawa, Hiromitsu. “Shu Shin, Shu Bunku, Shu, Jo I, Joshi shin zu.” Heibonsha shimban dai-hyakka jiten. Tokyo: Heibonsha, 1985. (in Japanese)
  • Ogawa, Hiromitsu. “Teio zu, To-cho meiga-roku.” Heibonsha shimban dai-hyakka jiten. Tokyo: Heibonsha, 1985. (in Japanese)
  • Ogawa, Hiromitsu. “Hatsuboku, Haboku.” Heibonsha shimban dai-hyakka jiten. Tokyo: Heibonsha, 1985. (in Japanese)
  • Ogawa, Hiromitsu. “Rakushin-fu zu.” Heibonsha shimban dai-hyakka jiten. Tokyo: heibonsha, 1985. (in Japanese)
  • Ogawa, Hiromitsu. “Godai, So jidai ni okeru Konan sansui-ga no sansui hyogen ni tsuite.”Bijutsu-shi, no. 117 1985. (in Japanese)
  • Ogawa, Hiromitsu. “Kinsei shoki gadan ni okeru dento to sozo: tokuni Chugoku-teki dento no haaku to sono sai-kaishaku o megutte Tawaraya Sotatsu no baai.”Bijutsu-shi-gaku:Art history, Sendai: Department of Art History, Graduate School of Arts and Letters, Tohoku University, no. 6 1984: 79-83. (in Japanese)
  • Ogawa, Hiromitsu. “Konan sansui-ga no kukan hyogen ni tsuite: To Gen, Kyonen, Bei Yujin.”Ajia ni okeru sansui hyogen, Kyoto: 国際交流美術史研究会 2 1984: 56-60. (in Japanese)
  • Ogawa, Hiromitsu. “Nan-So Cho Moken ‘Suisen zukan’.” Tetsugaku no meiro. Edited by Keiichi Noe. Tokyo: Sangyo Tosho, 1984. (in Japanese)
  • Ogawa, Hiromitsu. “En Ritsuhon, O Teiin, Kaiga.” Heibonsha shimban dai-hyakka jiten. Tokyo: Heibonsha, 1984. (in Japanese)
  • Ogawa, Hiromitsu. “Kaku Chujo, Kan Kan, Kan Kisai yaen-zu, Kanrin Zuga-in.” Heibonsha shimban dai-hyakka jiten. Tokyo: Heibonsha, 1984. (in Japanese)
  • Ogawa, Hiromitsu. “Kyu Ei, Kyochu kyugaku, Kin-ki-sho-ga, Keiji.” Heibonsha shimban dai-hyakka jiten. Tokyo: Heibonsha, 1984. (in Japanese)
  • Ogawa, Hiromitsu. “Koga hinroku.” Heibonsha shimban dai-hyakka jiten: 平凡社, 1984. (in Japanese)
  • Ogawa, Hiromitsu. “Chugoku kaiga sogo zuroku no kanko ni yosete: ‘choroku’ no rekishi no nagare no naka de.”Shuppan Daijesuto, Tokyo: 出版ダイジェスト社, no. 1032 1982. (in Japanese)
  • Ogawa, Hiromitsu. “Unzan-zu-ron: Bei Yujin ‘Unzan zukan’ ni tsuite.”Tokyo Daigaku Toyo-bunka Kenkyu-sho kiyo:The memoirs of the Institute of Oriental Culture, Tokyo: Nikko Shoin, no. 86 1981: 279-336. (in Japanese)
  • Ogawa, Hiromitsu. “Inchu no meiga: To Wu, Kyonen, En Shuku kara Kaku Ki made:The Famous Screen and Wall Paintings in the Northern Sung Han-lin Academy.” Suzuki Kei sensei kanreki kinen Chugoku kaiga-shi ronshu:Commemorative Essays of Chinese Paintings for the Sixtieth Anniversary of Professor Kei Suzuki. Tokyo: Yoshikawa Kobunkan, 1981: 23-850. (in Japanese)
  • Ogawa, Hiromitsu. “Kahoku to Konan: Chugoku kaiga-shi no zushiki.”Godai, So jidai no kaiga to sho, Tokyo: Asahi Shimbunsha, no. 94 1980: 10-87. (in Japanese)
  • Ogawa, Hiromitsu. “To-So sansui-ga-shi ni okeru imajineshon (jo):Imagination in the History of T’ang and Sung Landscape Painting Parts1.”Kokka, Tokyo: Kokkasha, no. 1034 1980: 5-17. (in Japanese)
  • Ogawa, Hiromitsu. “To-So sansui-ga-shi ni okeru imajineshon (chu):Imagination in the History of T’ang and Sung Landscape Painting Parts2.”Kokka, Tokyo: Kokkasha, no. 1035 1980: 35-45. (in Japanese)
  • Ogawa, Hiromitsu. “To-So sansui-ga-shi ni okeru imajineshon (ge):Imagination in the History of T’ang and Sung Landscape Painting Parts3.”Kokka, Tokyo: Kokkasha, no. 1036 1980: 25-36. (in Japanese)
  • Ogawa, Hiromitsu. “Kaku Ki hitsu ‘Soshun zu’.”Kokka, Tokyo: Kokkasha, no. 1035 1980: 14-19. (in Japanese)
  • Ogawa, Hiromitsu. “Han Kan: Keizan koryo zu’, ‘Ri-shi: Shosho gayu zukan’, ‘Kei Ko: Sekkei sansui zu’, ‘To Gen: Kanrin chotei zu’, ‘Ko Kochu: Kan Kisai yaen zukan’, ‘Ri Sei: Kyosho heien zu’, ‘Ri Sei: Seiran.” Godai, So jidai no kaiga to sho. no. 94, Shukan Asahi hyakka sekai no bijutsu. Tokyo: Asahi Shimbunsha, 1980. (in Japanese)
  • Ogawa, Hiromitsu. “Jo I: Kaki zatsuga kan’, ‘Ryu Seiju: Bokubai zu’, ‘Shu Shin: En’ai shuho zu’, ‘To In: Nan’yu zukan’, ‘Kyu Ei: Tori-en zu’.” Min jidai no kaiga to sho. no. 97, Shukan Asahi hyakka sekai no bijutsu. Tokyo: Asahi Shimbunsha, 1980. (in Japanese)
  • Ogawa, Hiromitsu. “O-Bei no Chugoku bijutsu korekushon 4: Habado Daigaku Foggu Bijutsu-kan, Purinsuton Daigaku Bijutsu-kan.” Shin jidai no kogei. no. 100, Shukan Asahi hyakka sekai no bijutsu. Tokyo: Asahi Shimbunsha, 1980. (in Japanese)
  • Ogawa, Hiromitsu. “Uragami Gyokudo ‘Toun shisetsu zu’.” Nihon kaiga hyakusen. Edited by Yuzo Yamane. Tokyo: Nihon Keizai Shimbunsha, 1979. (in Japanese)
Conference
  • Hearn, Maxwell K., and Judith G. Smith. “The Continuity of Spatial Composition in Sung and Yuan Landscape Painting.” Presented at the Arts of the Sung and Yuan, New York, 1996, The Metropolitan Museum of Art: 339-366.
  • Ogawa, Hiromitsu. “Paneru disukasshon Kano-ha ni okeru sozo-sei.” Presented at the Kano-ha no kyosho-tachi ten shimpojiumu hokoku-sho, Shizuoka, 1990, Shizuoka Prefectual Museum of Art. (in Japanese)

Experience

YearEducation
YearAcademic experience